Play Along Piano

Tags

Baroque

KellerHands

1:24	Est. Play Time
42	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		15	0	2	2	100%
		18	4	4	1	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		15	0	2	2	100%
		18	4	4	1	98%

Ave Maria (Bach/Gounod) for violin and piano

Jaime Arturo Sánchez

2:17	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	1	4	2	100%
	19	1	5	6	51%
Violín	14	0	1	6	90%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	1	4	2	100%
	19	1	5	6	51%
Violín	14	0	1	6	90%

HWV58A3N2 - Leave me, loathsome light

edward.maurath

3:13	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
Organ Continuo	21	10	3	5	96%
	18	2	3	3	100%
Cello Continuo	18	0	3	3	100%
Double Bass Continuo	17	0	3	3	100%
Viola	16	0	3	4	90%
Violin 1	15	0	1	3	90%
Violin 2	16	0	3	5	90%
Bass	13	0	2	6	79%

HWV1A2N28 - Ob dein Mund wie Plutons Rachen

edward.maurath

5:23	Est. Play Time
49	Measures
	1,182Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
Cembalo Continuo	15	20	4	6	77%
	20	2	4	3	89%
Oboe 2	15	0	3	5	89%
Viola	15	0	0	3	80%
Violin 1	19	0	1	6	80%
Violoncello Continuo	15	0	1	3	80%
Violone Continuo	15	0	1	3	80%
Violin 2	18	0	2	5	77%
Tenor as Fernando	15	0	4	8	55%

Gigue from III Sonate à 2 flutes

coccobill

2:24	Est. Play Time
50	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
fl.I		16	0	3	3	100%
fl.II		18	0	3	3	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
fl.I		16	0	3	3	100%
fl.II		18	0	3	3	96%

HWV1A1 - Leset ihr funkelnden Augen

edward.maurath

1:51	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
Bassoon Continuo	19	0	4	2	62%
	14	1	2	2	57%
Bass as Consalvo	13	1	4	4	60%
Violin 1	12	0	0	4	57%
Violin 2	12	0	2	2	57%
Violoncello Continuoi	14	1	2	2	57%

Bach: "Prelude in C Major" (1722)

SpaceGuru5

2:02	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	0	4	3	95%
		19	0	5	3	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	0	4	3	95%
		19	0	5	3	97%

HWV1A1 - Leset ihr funkelnden Augen

edward.maurath

1:51	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
Bassoon Continuo	19	0	4	2	62%
	14	1	2	2	57%
Bass as Consalvo	13	0	4	4	60%
Violin 1	12	0	0	4	57%
Violin 2	12	0	2	2	57%
Violoncello Continuoi	14	1	2	2	57%

HWV1A2N14 "Nein, nein, Fernando, nein!"

edward.maurath

2:11	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	5	100%
Almira	14	0	3	6	52%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	5	100%
Almira	14	0	3	6	52%
Fernando	14	0	4	6	46%
Harp	19	25	6	4	42%
	13	11	3	4	42%
Harpsi	16	17	4	3	33%
	17	15	5	3	33%
Lute	17	17	6	2	25%
	21	15	7	2	29%
Osman	11	0	1	3	17%

Concerto In C MVT2

curiousEE

2:06	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	45	7	3	100%
	19	0	4	3	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	45	7	3	100%
	19	0	4	3	100%
Mandolin	22	0	5	5	100%
Violin I	22	0	5	5	100%
Violin II	15	0	4	4	100%
Violoncello	19	0	4	3	100%

BWV245N10 - Derselbige Jünger war dem Hohenpriester bekannt

edward.maurath

3:31	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	14	0	5	6	100%
Cembalo Continuo	19	45	7	7	70%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	14	0	5	6	100%
Cembalo Continuo	19	45	7	7	70%
	16	2	6	6	70%
Evangelista	17	0	6	5	65%
Ancilla Petrus Jesus	24	0	8	4	43%
Organo Continuo	14	20	6	5	37%
	11	0	2	4	37%
Servus	6	0	3	2	7%

Dal mio cenno si venaumiliata (1730) HWV 17 "Giulio Cesare"

edward.maurath

2:03	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	22	18	4	5	100%
	20	0	5	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	22	18	4	5	100%
	20	0	5	4	100%
Violoncello	20	0	5	4	100%
Tolomeo	14	0	3	5	76%
Violini	21	0	3	3	74%
Violoncellos	14	0	2	3	71%
Violone	14	0	2	3	71%